Vlogosophy

Hassle-free Home Movies and Video Archival

Amateurs have been filming since always, but never before has video archival been so prevalent and accessible, and never before have our time and attention been in such high demand.

Born and raised on a Panasonic point-n-shoot, my service is for anyone who wants to capture and share the moments and movement of life without having to spend an eternity in front of the computer, and without having to pay the high price of “professional” videography.

Video Scrapbook Sample:

Birthday Afternoon in Balboa Beach, CA

No occasion is too small.

Baby showers, family get-togethers and reunions,

day-in-the-life montage, travel... 

Try a video scrapbook of your family photo shoot!

Or in addition to, throughout the year.

Perfect for birthday parties, parties of all kinds, actually. We love to party! 

If you want to remember it, I can film and edit it.

(No weddings.  Sorry.)

For easy sharing with friends and loved ones, videos can be posted on line

and/or purchased on DVD as the ultimate personalized gift. 

Filming:

• $50 session fee, up to two hours
• In a hurry?  Scrapbooks can be filmed in less than 30 minutes!
• $20 each additional hour (plus travel expenses if beyond 30 miles from Long Beach, CA.)

Note: The actual number of minutes filmed will vary depending on the event and the intended purpose of the footage.

Archival

• Video Scrapbooks on DVD: $150 up to 4 minutes (you provide the music)
• Additional DVDs: $10 each
• Custom soundtracks: $100 and up
• On-line sharing: free on YouTube, with your permission...
• Raw video clips on CD: $25

"A Valentine for You" from Paris


Got footage but no time to review and edit? 
We can do that.  Contact us at Vlogosophy at gmail dot com.

*Are you a poet, musician or some other kind of performer?  Let's collaborate!

See previously featured artists here:  Vlogosophy on YouTube



What I Did This Week/end... Sorta.

People watching in Amsterdam and Paris... 

Recollected in tranquility with Ellyn Maybe and her band.  

An honor and a pleasure.

Uncle Roy

My Uncle Roy was a sweet and humble man, handsome and healthy. He worked hard, and he was there for me at certain dark times in my life. Not RIGHT there, but softly there. Strong and handy, he had a knack for tents and tools and four-wheel drives on the beach or in the desert. He liked pecan sandies and Fritos dipped in peanut butter, beers in the garage, vodka in the armchair watching football, and other dangerous stuff like body surfing.  I didn't know him all that well, not like his wife and sons did, not like my dad did. To my dad, my uncle was a little brother. And all the red beans and rice in the world couldn't save him. Fuck you, cancer.

   

 …and the end of day is aquarium colored 

—Colette “Le Miroir”* 

 for emily 

 We believe we will live forever until 

 we can’t believe it again. 

—Cecilia Woloch 

 “Stars in the Mouth of the Wolf” 

Fortunately, breathing under water

is easier, now that I admit to the drowning.

Even in this blue-green half-light, the cancer

stinks up the room—floats—covered in the white

sheets of nostalgia.  The quiet is blinding.

Someone’s nephew is someplace else now, and we

are here remembering—fast cars from another world,

racing.  The quiet is not as blinding as it is heavy,

heavy as a Hemi at the bottom of a

fish tank.  The old blowfish is alive and well,

just not here, in this restaurant, in this desert

where fish are a tourist attraction.  The brothers

will argue over who gets to pay the bill and be

thankful to be able.  They like the blowfish story.

Don’t talk about the liver, the poisonous ovaries,

the sleeping pills of denial.  Such tales keep me

up at night.  All this sand is just tumbled rocks

slowly releasing their fossils into the currents. 

Motor homes whir out of town, comforting

their passengers with the promise of blue-green

landscapes, but there cannot be enough water,

not anywhere in the world, to console this caravan.

*In this short story, an older, and presumably wiser Colette has

a conversation with her fictional double, Claudine, about youth and aging.

Previously published in Tears in the Fence, No. 55, summer 2012

Manuscript

I do not remember these things
— they remember me,
not as child or woman but as their last excuse
to stay, not wholly to die.
~ Janet Frame's "The Place"

The shuffling and banging together of poems has quieted, the slipping almost stopped. As I piece together these bits of thoughts that I call poems, they make all kinds of racket ("a systematised element of organized crime," Wikipedia ;) New threads emerge, old ones seem raveled and frayed. Being home has been like this. Settling back into an old life that no longer exists, dusting, baking, finding new homes for things from my most recent past life, missing things and people.

How to talk (briefly) about my own manuscript. Today is my niece's fourth birthday and I feel like I just met her two weeks ago. It's true, they grow up so fast. I didn't go to her party. Blame geography, the dog's dislike of children, this manuscript. But I am thinking of her. I am thinking of finding the stars uncountable with her in her back yard the day after Christmas, the playhouse lamp beckoning, bedtime fast approaching. The old chair in my kitchen that would look great in her room. I am thinking about helping her play Pac Man on her mother's iPhone. I am thinking of my sister and wondering how she does it all... so well.

These poems are certainly for them. Old love stories. Thresholds. I am thinking of Elizabeth Bishop's take on lost things. Dickenson's advice on telling the truth. Adrienne Rich's words on all the little lies we tell. These poems are certainly for them, too. There are airplanes and linens, manicures and landscapes. There is furniture. Even love. This is me, closing a chapter. There is nothing left to do but begin again. And vacuum up the pine needles. And put this manuscript in the mail.

Here's a video to hold you over.

Laundry

The cat almost snores on the clean sheets, papers and books under his head, and the next load of laundry is almost done. American washing machines are SO much faster… and bigger. And the dryers. If you’re even lucky/rich enough to have one in Paris, (usually a washer/dryer combo) you have to wait two hours for jeans and a couple of towels. I still air dry plenty of things—undergarments. My favorite tops, those new fuzzy sock slippers I got in my Christmas stocking, which I’m sure would combust from the heat or at least lose all the sticky dots on the bottom of the feet. Filou loves these socks but only when I’m wearing them.

He also “loves” the corner of the bedspread when it hangs long enough for him to hump. When it doesn’t, he looks at it, then at me, and whines. He also loves the throw blanket on the sofa.

I have a sheet fetish. Pure cotton. Mix-n-match. Folding fitted sheets so neatly you can’t tell they’re not flat. But I can. The worst part of doing the laundry is the socks, never coming clean enough, forever losing their mates, escaping the pile, all that pairing and tucking and stuffing into the only drawer I can spare for them. No. I prefer sheets, even towels, their plush stacks on the shelves. Something like my grandma’s linen closet, but never quite.

All of my (current) favorite blankets come from France, each with its own little history—where it came from, which beds it has dressed in which apartments, who slept beneath it. All of them increasingly soft and supple from use. I left only one behind, but it was as much his as it was mine. It was the only one that ever felt like “ours.”

Fif Walk - 2012!!!

Sat down to write to you today. This is what came out. I was tempted to turn it into poetry. Maybe it is. Anyway, hello from Long Beach… And happy 2012!

The first half of our walk around the block, I am thinking about work. Finding work. What I will write to whom and how. I start to develop a cover letter in my head. The dog darts back and forth across the sidewalk. Leaves crunch. Tree to shrub, sniffing all the way… “Dear Sir or Madam, I am writing in response to your request for applicants.” He stops predictably at the corner, by the lamppost, does his business, steps away and huffs, scratches at the pavement while I clean it up… “My experience in not only administration but also in sales, management, and training/teaching should fulfill nicely all of the job’s requirements.” We cross the street.

Coming back down the other side, he does more of the same. By the time I see a man—with two dogs, 150 yards or so away—he is crossing the street, then passing us. Filou smells them, then hears them, then sets his sights on them and leans into his huff and scruff. Though the street between us is not wide, the man and I do not speak. I am thinking about how much information to give in my cover letter. Do I mention my time in France? How there were always so many people on the streets? How that last day—on our way up Rue de la Roquette to buy new rings so we could put the old ones in a drawer and move on—how that German Shepard came after him, sensed his fear, and began to snap and snarl. How I lifted him into my arms and that German Shepard kept after him, sniffing his backside, and how those punk-rock homeless guys just stood around laughing and I didn’t find the French to yell at them. « Elle est ou, sa laisse ?! Control ton chien, merde. » No « monsieur. » They would never call me madame.

The man across the street probably would speak to me, if I spoke to him… or even looked at him. I second guess my etiquette. Rue de Lappe was a different crowd, cluttered and drunken at night, high heels on the cobblestones. You try not to make eye contact, which is hard when you like to watch people like I do. Only in the morning was that street ever quiet, littered with broken glass and a feel of propriety. Paris wakes up slowly, especially Rue de Lappe. But I was thinking about work, about rewriting my resume for the fourth time this year. I was walking the dog and letting the coffee sink in.

When we get home, the Rose Parade is being rebroadcast. The surfing bulldog on the most anticipated float of the year can’t catch a wave. The wave maker seems to be giving them troubles, but the TV is on mute so I’m not really sure. No troubles this year, please. You, up there. Maybe a budget trip to Paris, a couple of part-time jobs to cobble together. A little spare time for writing, lots of reading. I don’t ask a lot. Maybe I should.

But I was talking about walking the dog, how it’s different here.

Oh, Champs Elysées

A metaphorical experience

Last night, he had an after-work social hour just off the Champs Elysées. When I met him there, he was two gin and tonics into a very good mood and I was tired and sobered, having finished my happy hours across town before making the trek to my least favorite place in all of Paris. Don’t get me wrong. The Champs Elysées is gorgeous—wide and tree-lined, cobble-stoned, with classy storefronts and cafes along both sides and the impressive Arc de Triomphe at the end. But no sooner had I come out of the Metro at Avenue Hoche than two Chinese tourists approached me and asked if I knew where the Louis Vuitton store was. “No,” I said plainly, and “I’m sorry… It must be on the Champs Elysées.” But they insisted that it was somewhere else and so what I didn’t say was that I couldn’t care less where it was or is or will be.

This is what I hate about the Champs Elysées: The tourists. All the luxury boutiques—cars, jewelry, clothes that would never fit me—high-priced restaurants and cafes where people go to be seen, where you will be scolded for not having made a reservation even if the restaurant is half empty, the nightclubs that pick and choose their patrons at the door. I can walk for hours and find nothing of interest. Not even the beggars are authentic, and the street dancers that draw large circles of on lookers are too cheesy for words.

He usually walks a couple of paces ahead of me… no matter how many times I ask him to walk beside me. He blames the dog, his Paris tempo, but not last night. Last night we strolled—well, I dragged and he strolled. The weather was not so cold and, as usual, we had no idea where we were going. We were hungry and he was high on life. When we went to cross the wide street—four lanes in each direction, or is it five?—he stopped half-way across the eastbound side to tie his shoe, which took him a while so I waited at the median until the pedestrian signs turned red in both directions. He had just seconds left to get out of the street when what does he do? He walks on across the westbound lanes too, passing me patiently waiting for him in the middle. The light had been red long enough that I knew we would get caught in front of the twin Mercedes already revving their engines, the scooters rocking back and forth. So I waited and he walked. He walked as if he owned the Avenue and all the cars waited for him and there I was standing in the middle, having waited there for him to tie his shoe.

As the cars zoomed past in both directions, I knew that this was a metaphor for my entire life. Patience and caution and observation, people passing me by. He’s right when he says I belong in the past. He usually says that I need to be more assertive. But last night he just laughed. From across the wide street, he pointed and laughed and looked around him at all the pretty things while he waited for me. When the light finally turned, I did not hurry to him. I did not even put my arm around him until he made me. “C’mon!” he prodded. “This is the best street in the world!” I gave him a look that prompted the question, “What’s the best street in the world for you?”

“Pacific Coast Highway,” I replied, though really I’d prefer any late night street in this city. Emptied of cars, emptied of tourists, with just my own footsteps setting the pace.